Hole in the Clouds
Apr 24, 2015
In this photograph, taken in 1929, the visions of two men come together.
The subject of the portrait is Clayhorn Martin, a Harlem street preacher who had gone barefoot ever since the day in his youth when God told him to shed his shoes and walk on holy ground. Till the day he died, he walked the streets with his tambourine, shouting to the world that God dwells in every single person, not in church buildings or special dignitaries.
Martin was a homeless man, a neighborhood character. In this formal studio portrait, photographer James Van Der Zee focused not so much on his outward condition as on his internal seriousness and faith. In other words, the scene he set for his camera aimed to take Preacher Martin at his word, seeking to show the higher purpose within him.
Martin had been born a slave in Virginia in 1851; he died homeless on the street in 1937. Van Der Zee and other artists of the Harlem Renaissance raised money to give him a proper sendoff, a funeral attended by five hundred or more of his neighbors, his flock.
Elder Clayhorn Martin
(Image credit: James Van Der Zee)
Jan 12, 2017
When Italian architect Renzo Picasso visited New York City in the 1920s, he correctly identified traffic and parking as bad problems that would become much worse over time.
There was no more land in Manhattan to pave over, so Picasso (no relation to that Spanish guy) took his cue from the skyscrapers and proposed to build the streets up vertically. He envisioned at least four transportation levels: trains up on top, express automobile traffic on the layer second to top, parking on the level below that, and local traffic on the bottom.
Picasso's vision for this American Multiple Highway, which he presented in 1929, was one of many utopian projects he sketched out for cities in the United States and Europe. None of them was ever built.
New York City
(Image credit: renzopicasso.com)
Mar 26, 2018
Quarteri Spagnoli, 1929.