Hole in the Clouds
Jan 1, 2011
As the year turns, the astronauts in the International Space Station have been steadily circling the globe about 400 miles above us. A couple of nights ago, when they were flying over the ocean near North Korea, they picked up their little Nikon digital camera and pointed it westward, toward the Asian mainland. That's Beijing in the upper left, Tianjin in the lower right, glowing out into space.
This is what new years will be looking like for a long time to come.
Meanwhile, may 2011 bring health and glowing good cheer to you and yours. This past year wasn't all that great; there is plenty of room for improvement.
Good mornings, y'all.
(NASA: International Space Station)
Jan 3, 2011
Mom turned eighty last week, which cannot be. She was always the youngest mother, and she's still much too young.
The celebration, I'm told, included a football game in Arizona. The right team won (Oklahoma).
(Image credit: Carol Fuchs)
Jan 4, 2011
Shown here a few birthdays ago is the same birthday girl from yesterday's post, back when she wore Shirley Temple curls and made straight A's at Eliot Jr. High (now Eliot-Hine Middle School) in Northeast Washington, D.C. It was around this time that she trained her dog, Spike, to bark twice in response to the question, "What's the cube root of 8?"
Jan 5, 2011
Militarily speaking, the Greek War for Independence from the Ottoman Turks went pretty badly for the Greeks throughout the 1820s. Their first leader, the heroic Alexander Ypsilanti, died in battle almost immediately; his successors were provincial military strongmen who squabbled with one another and could not sustain focus on the overall goal. Even when Greek warriors succeeded in wresting a town or an island from the Turks, they often failed to hold onto it for long, as ships belonging to the Ottoman ally Egypt patrolled the sea and starved out the Greek "victors."
But in the non-military propaganda war, which is what we see here in this 1826 painting by the Belgian-French artist Henri Decaisne, Greece performed magnificently. The philohellenism then fashionable in England, France, and Germany--the worship of all cultural things Greek--kept the war in the Western spotlight and provided the rebels with financial support, Romantic young volunteers, and ultimately military rescue and a Western-imposed peace settlement.
The British navy routed the Turks and Egyptians. Greek armies followed up on the naval victory with another round of attacks on the Turkish-held cities. Finally, in 1830, the crumbling Ottoman regime in Constantinople was forced to accept Western terms for Greek independence.
Decaisne called this painting, "Failed Military Operation."
(Art by Henri Decaisne)
Jan 6, 2011
This view of a juvenile bivalve mollusk (sp. Lima), enlarged 10x, won 12th place in Nikon's Small World competition for photos taken through a microscope. Because the specimen was virtually transparent, making it difficult to see under the microscope, special "darkfield" lighting techniques were necessary. The beam of light was blocked in the middle and scattered with mirrors around the periphery, so that it reached the specimen only from the edges and at a very low angle.
Dr. Gregory Rouse, whose mollusk this is, curates a collection of invertebrate sea critters at Scripps Institute in San Diego. His most recent publication: "Deep-sea swimming worms with luminescent 'bombs.'"
Benthic Invertebrate Phylogeny
Nikon Small World Competition
Scripps Institute of Oceanography)
(Image credit: Gregory Rouse
Jan 7, 2011
Arthur Havard was fourteen years old in 1911 when his picture was taken at work one day, outside the #6 shaft of the coal mine in South Pittston, Pennsylvania.
Havard's job was to drive the mules that hauled coal along tracks from the working face deep in the mine all the way up to daylight. Many boys worked in the mine for years as mule drivers until they finally grew big enough to wield a pick and work as regular miners.
It was another world back then. Yet it wasn't all that long ago; Havard's children were born in the 1920s, and some are still alive today.
Here is a description of how children worked in the mines of Pennsylvania, provided by the son of a mule driver like Havard:
My dad was a 'mule driver' in a Western Pennsylvania bituminous coal mine as a youth. His job was to guide the mule and coal cart on tracks out of the mine. On the way out, he would make sure that no clumps of coal would fall off the cart. If they did he would have to pick up the coal, climb to the top of the load and replace the fallen coal on top of the load. The coal company had a bell at the exit tunnel hanging down to ring as it was hit on the way out. If the bell did not ring, the team who cut, dug and loaded the coal would not be paid for a full load. He could never let that bell not to ring. That team of miners were his relatives and neighbors in the same Coal Patch.
(Image credit: Lewis Hines, via Shorpy)
Jan 8, 2011
You don't see all that many pictures featuring slush. The slush featured here is in Ljubljana, the capital of Slovenia, but I think the takeaway is that Slovenian slush and American slush are kinda hard to tell apart.
Jan 9, 2011
The kids used to have their friends over, and they'd go down in the basement and rassle and stuff. They're all grown up now, more or less; they're not living at home any more, and so we sold the house. Basement and all.
Jan 10, 2011
Today is the last day of Milan's second annual LED Festival, a celebration of outdoor lighting in the city that a hundred years ago became the first in Europe to electrify its street lights and street cars. This year's festival featured sixty installations totaling more than 600,000 LED bulbs.
On Via della Spiga, artist Fabrio Novembre hung out laundry in lights, alluding to a Sophia Loren movie, Iori, Oggi, Domani--Yesterday, Today, and Tomorrow.
It just doesn't seem fair, somehow, that when they dole out the cinematic icons, Milan gets Sophia Loren while here in Philadelphia we have to make do with Sylvester Stallone....
(Image credit: Lorenzo Bianchi)
Jan 14, 2011
For Milan's second annual LED Festival, Chiara Lampugnani dreamed up some night-flying butterflies that flit up Canonica and Paolo Sarpi streets.
Jan 15, 2011
Believe it or not, there are in this world orangutans who just don't know what orangutans need to know. There are also orangutans who know full well how to be orangutans but who because of injury or illness can't get with the program. There are also orangutans who know how to be orangutans and are able and willing to live the orangutan life but who've lost their habitat.
On their own in the wild, these unfortunate orangutans are not going to make it. But if they are somehow directed to the Sepilok Orangutan Rehabilitation Center just outside of Sandakan, on the north coast of Borneo, even they can live happily ever after.
Sepilok is basically a feeding station with no walls; orangutans can eat there forever, come and go at will, or hang around for a while and then give life in the jungle a try. There's also a nursery for orphaned babies, who grow up unafraid of humans or orangutans; by growing up in orangutan paradise in the company of numerous adult orangutans, the orphans have a good shot at learning all the good stuff about orangutan ways.
This fellow certainly looks like proof of concept.
Sepilok Orangutan Rehabilitation Center
(Image credit: A. at kiwi-stories)
Jan 18, 2011
There's a new mural in the neighborhood, by Michael Webb. It honors Julian Abele, the architect who designed the Philadelphia Museum of Art and Duke Chapel, among other wonders, and who lived in the neighborhood for most of his life.
Abele was the first academically trained African American architect in the United States. He graduated from the University of Pennsylvania School of Architecture in 1902.
That's Abele in the middle of the mural, in the brown, three-piece suit, standing in front of a blueprint of the Duke Chapel tower.
The small lot here is called a park--Julian Abele Park--and with a new grant for landscaping improvements, it may soon become an actual park. One of the landscaping features is to be a walkway lined with old marble stoops, suggesting the rowhouse architecture of the neighborhood.
The trees in front of the mural don't look like much in the wintertime, but of course they are controversial. Do they block the view of the artwork or frame it in natural greenery?
(Image credit: Laura Blanchard)
Jan 19, 2011
He looked the way a pirate ought to look, with most of his face buried beneath a thick black beard and his head wreathed in smoke from the cannon fuses he wore under his hat.
And he was in fact a pirate's pirate, looting more than fifty ships in the early years of the eighteenth century, including many vessels "belonging" to other pirates. If you surrendered without incident, he would likely strip your ship of rum and treasure and then let you loose to limp your way home. If you resisted, however, he would fight his way on board, steal all supplies and valuables, put off any surviving crewmen into a small boat, and then burn the ship, unless he had use for it.
At one point he assembled a large enough flotilla to blockade the port of Charleston, South Carolina. People feared him so much that the governor of North Carolina, Charles Eden, offered to pardon him if he would just give up his piratical ways. He accepted the offer, set up headquarters just outside the colonial capital at Bath, and proceeded to capture a French ship offshore, insisting that he'd found it floating abandoned and derelict. Governor Eden accepted sixty hogsheads of sugar from the ship and agreed that the ship must have been derelict when Blackbeard happened upon it.
Blackbeard also went by the name Edward Teach or Thach, but the custom at the time was for pirates to invent new names for themselves, so as not to disgrace their families. Almost nothing is known about his background, except that he is probably from Bristol, England, and he likely knew how to read and write. His piratical feats first drew widespread notoriety in 1716, and he was killed in battle at Ocracoke Inlet less than three years later, in late 1718.
A couple of weeks ago, a team of divers sponsored by National Geographic searched an inlet near Beaufort, North Carolina, where Blackbeard was believed to have intentionally grounded one of his ships; they found the hilt of a sword that matches the description of one of his two personal swords. The rest of his treasure is . . . .
Jan 21, 2011
The car was packed, the trailer was hitched, and in late December 1956 this family set off to begin a new life in West Palm Beach, Florida, with three little kids in the backseat and another on the way. The photo was taken just before they left home, on Lee Highway in Arlington, Virginia.
This is a perfect picture.
I don't know the family, and I don't remember ever visiting Arlington in the 1950s, but I was living about ten miles away back then in Maryland, and this is exactly what the world looked like. My immediate neighborhood was a quiet little subdivision, but once we got in the car and went to the grocery store or anywhere else we went, this is what I saw--these same cars, that Texaco sign, those commercial buildings, the plate glass windows at the dry cleaners. This was how the world looked . . . from where I sat in the backseat.
I see now that none of the cars had outside rear view mirrors. But that wasn't too important because back before carseats and seatbelts, a driver could ask the kids in the backseat to get up on their knees and look out the back window and see if it was clear. Unless you were hauling a trailer, of course.
(Image credit: JohnZ14 via Shorpy)
Jan 22, 2011
Lobby of the Venetian Hotel in Las Vegas.
(Image credit: Trey Ratliffe)
Jan 24, 2011
Ferrets in their den, according to their mother. Groundhog Day comes next week.
Joshua and Emily Wiggin
(Image credit: Susan Wiggin)
Jan 25, 2011
Two years ago, son John sent me this picture; he and his girlfriend Bonnie had posed with the pigs. But they were young then; today, John turns thirty-three. He and Bonnie are still together, though I fear that something has happened by now to most if not all of those little piggies.
Jan 27, 2011
For most of the twentieth century, the fare for a ride on the Staten Island Ferry--a five-mile, twenty-five-minute trip between Battery Park at the southern tip of Manhattan Island and St. George Terminal at the northern tip of Staten Island--was a nickel. By the late 1960s, when I took my ferry ride, there really wasn't anything else on earth you could still buy for a nickel; even a coke had gone up to a dime.
In the 1980s and 1990s the ticket price was raised a couple of times, till it cost a quarter. But then in 1997, for reasons I know nothing about, the fare was dropped altogether. It's a free ride now, and it operates twenty-four hours a day, seven days a week. Last year, people made twenty-one million trips on the ferry.
These people were taking their free ride late one night in December 2010.
New York City
Staten Island Ferry
Jan 28, 2011
The way I see it, there's not much point in digging out my car before the plow comes around, and it hasn't shown up yet. So the work Margaret White took care of today is still ahead of me, waiting for another day. I'm okay with that.
Our street, Kater Street, is what they call a "small street" in Philadelphia. It's plenty long--almost river-to-river, the entire length of Center City--but it's narrow, narrow, narrow. Regular-sized garbage trucks and snowplows can't fit through. The city operates special skinny garbage trucks for us small-street folks, and I once saw what looked like a lawn tractor from the parks department, chugging down the block with a plow fitted to its front. However, that was back in December.
Today, the kids on the block built a snowman in the middle of the street, with a carrot for a nose and almonds for eyes. He's not blocking any traffic. It's quiet here, with the cars all shrouded and still. If spring comes before the snowplow does, if the snowman has a chance to just shrivel up in the afternoon sun . . . well, it could save me a lot of shoveling.
Jan 29, 2011
In the 1890s, when Thomas Eakins was teaching painting and anatomy at the Philadelphia Academy of Art, he spent a lot of time hanging around a local gym, watching the anatomy in action. This painting, "The Wrestlers," the final work in Eakins's sporting series, features not only a stylized moment in a wrestling match, very close to a final pin, but also some background characters watching and working and teaching and learning. In particular, the man in street clothes who is pointing at the wrestlers has been compared to Eakins himself--the coach in the gym, like the art instructor in the studio, draws attention to the wrestling action in hopes of elucidating salient matters of craft and human dynamics.
In 2011, meanwhile, wrestling season is again upon us, and one of the Stein wrestlers has stepped away from the gym for a few moments to share with us some observations about the Eakins wrestlers. "The guy on bottom," notes Allen, "should not be trying to peel the fingers off of the offensive opponent. He will be better off planting his right foot on the ground and arching on his head and trying to punch through back to his belly."
Coach in the background may be making the same point. But Mr. Eakins, the guy with the paintbrush--the guy in charge--apparently liked both these wrestlers exactly as they are.
(Painting by Thomas Eakins)