Hole in the Clouds
Apr 24, 2015
In this photograph, taken in 1929, the visions of two men come together.
The subject of the portrait is Clayhorn Martin, a Harlem street preacher who had gone barefoot ever since the day in his youth when God told him to shed his shoes and walk on holy ground. Till the day he died, he walked the streets with his tambourine, shouting to the world that God dwells in every single person, not in church buildings or special dignitaries.
Martin was a homeless man, a neighborhood character. In this formal studio portrait, photographer James Van Der Zee focused not so much on his outward condition as on his internal seriousness and faith. In other words, the scene he set for his camera aimed to take Preacher Martin at his word, seeking to show the higher purpose within him.
Martin had been born a slave in Virginia in 1851; he died homeless on the street in 1937. Van Der Zee and other artists of the Harlem Renaissance raised money to give him a proper sendoff, a funeral attended by five hundred or more of his neighbors, his flock.
Elder Clayhorn Martin
(Image credit: James Van Der Zee)
Jun 21, 2016
Right outside Rosenbad, the prime minister's chancery in central Stockholm, sits this homeless woman with the face of a fox, huddled in a blanket, with a baby animal, perhaps a fox cub, perhaps a teddy bear, in her lap.
The sculpture, a permanent installation on the granite sidewalk, is from artist Laura Ford's series Rag and Bone. In 2009, the city's newspaper by and for homeless people, known as Situation Sthlm, conducted a poll on where to put the statue; the winning location was this very public and political site.
The fox also has a single boot in her lap, into which passers by frequently drop euros. People who are uncertain about dontating to living, breathing homeless people somehow feel that leaving money for a bronze fox is a good thing to do. That's the world we live in.
fox and cub
(Sculpture by Laura Ford)