Pennsylvania

By now, many of you have heard that we are headed to Philadelphia. The heavy lifting of the move has begun, so it'll be at least a week or so before I'll have a chance to share more Good Mornings with y'all. Please be sweet in the meantime, and don't pick on your siblings; we are, after all, moving to the City of Brotherly of Love.

I cannot say what's with the horses. They're tied up to a pay phone in front of PMV Variety Store in our neighborhood-to-be, just south of center city Philadelphia. If you Google-earth this spot, you'll see that the pay phone is still there and the storefront still looks the same, though the PMV Variety may now be out of business. The horses have vamoosed.

With this picture and tomorrow's, Good Morning is turning the page on winter. The groundhog and the calendar and even the weather may say differently, but the groundhog and the calendar and even the weather do not control this here Good Morning thing, so . . . Goodbye, winter.

Last month, when the depth of the snow in Reading, Pennsylvania, could be measure in cubits or furlongs or some such, many people dug their cars out and then tried to reserve the parking spots they'd dug by setting chairs in them. This is probably an inherited cultural practice; if you are born into a family that believes in claiming parking spaces with chairs, then that's what you will grow up to do. It makes good sense to you, practical sense and also moral sense. You did the work of digging the spot clear; why should somebody else who didn't shovel a single flake get to take advantage of your hard work and park their car there?

But there are also people who believe that parking spaces on a public street are public and can't be claimed by any one person. No matter what the weather, it's first come, first served at the curbside. These people may be in the minority, but they also believe their approach is rational and morally superior--and often, as in this picture, they have the city government on their side. In Reading and many other places, the city came along and took all the chairs away. This practice has the effect of inspiring people, grudgingly, to shovel out additional parking spaces as needed.

In Portland, we don't have this kind of problem. The city bans parking the night after a big snowfall, and the plows quickly scrape almost all the streets clean, curb to curb. This solution would never work in places like Reading, where there may not be enough driveways to hold cars during a street parking ban and where there surely aren't enough plows to clear the streets promptly.

So next winter, a lot of people will feel strongly that they need to do that chair thing again. But meanwhile, I'm calling it spring. Goodbye, chairs.

Jack Delano's 1940 photo of Pittsburgh has a cinematic feel to it, as the lady on the staircase descends into a dark and cold and spectacular kind of hell. That particular hell--with sulfurous fumes belching from roaring steel mills--went south a generation ago, abandoning western Pennsylvania to rust and poverty. Somewhat remarkably, the city has stirred from its decline and reinvented itself as a clean and shiny, almost high-tech sort of place. But all along, the sons and daughters of Pittsburgh have been growing up into American image-makers, people who have shown us what we look like, or would like to look like, or hope to God we never ever look like. Fred Rogers, with his sweater and sneakers and perfectly detailed little world of children's TV--wasn't Pittsburgh's first or last cultural chronicler.

Early on, there was Stephen Foster, of Swannee River and Camptown Races fame, and then the painter Mary Cassatt, the modernist Gertrude Stein, and the Tarzan, Johnny Weissmuller. Some of the Pittsburghers have worked right up to the cultural edge--Andy Warhol--and some have walked us up to the brink, where we could glimpse a frightening future--Rachel Carson.

Most notable, perhaps, were all the guys who played football, generation upon generation of Pittsburghers who were big and tough and fast and focused: Johnny Unitas, Joe Namath, Mike Ditka, Larry Brown, Nick Saban, and way too many others

Then there were those who worked the cultural currents of the times: e.g., Bobby Vinton, Lou Christie, Charles Bronson. And the ones who have risen above their times, soaring elegantly: Gene Kelly.

But who took the neighborhood in this picture and warped it into a dark corner of the American consciousness? Back in the early days of television, Fred Rogers hired an imaginative young assistant who moved on to Hollywood and directorial fame and fortune--guy by the name of George Romero--whose first big hit opened a seam of movie-dom that has been dug ever deeper to this day: Night of the Living Dead.

And for what it's worth, Pittsburgh still has more than 700 staircases officially registered as city streets.

There's an urban legend about a deer more spectacular than any other, a deer that's pure white, maybe even albino. It is glimpsed from time to time, usually at dusk or dawn or even after dark. It's shy and quick, won't stick around for the camera.

For a hunter to shoot such a deer, a white ghost of a deer, would make the whole forest cry. It would bring a whole lifetime of bad luck to the hunter who felled it. Unless it was actually a good luck charm. Or a trophy like no other--a trophy deer above all others.

One problem with the white deer, urban-legend-wise, is that there's widespread disagreement concerning what it might signify, if it signifies anything. The story is messy, if there is a story to it. But that's okay, urban-legend-wise, because the white deer is real--an estimated 1 deer out of 30,000 is albino, completely white with pink eyes.

Their coloration leaves them especially vulnerable to human hunters and other predators. Do they know that? Is that why they are so shy? Perhaps not, but their light-sensitive eyes may make them avoid daylight even more than other deer.

Nonetheless, Janet Goldwater sort of got a photo of an albino deer that had been eating apples from her tree in Eagles Mere, Pennsylvania. "This photo was taken (in a rush obviously!) through the window of my house," she writes. "My opportunity to take a photo came at dusk, hence the slow shutter speed."

Here, the albino deer looks almost like a unicorn, which seems appropriate enough. If you want clearer pictures, you can find them on the tubes.  But this shot seems to pretty much sum up the whole white-deer thing: whatever is out there is hard to see, impossible to pin down, fleeing fast , but definitely, positively, really something.

Ever since last week, the Susquehanna River's been missing a big fish. Just kidding--he threw it back. Allen says this small-mouth bass is 19 inches long and weighs about four and a half pounds.