Caught by the camera just as he finishes up his unauthorized street decor, this graffiti artist in Queratoro, Mexico, appears to have done a pretty darn good job painting a quetzalcoatl, the feathered serpent of the ancient Aztecs.
When last we spent our Saturdays at high school wrestling tournaments, back in the decade of the twenty-oughts, we were parents of wrestlers, which meant that we were working the concession stand or down on our knees with a camcorder or scanning the scene from the bleachers, looking for indications of wrestling drama.
We can report with confidence that in the winter of 2015, all the drama is still much in evidence. Even before you enter the gym, you can't help but notice the kid standing all by himself out in the cold parking lot, hiding his face, struggling not to cry.
The only big difference nowadays is that somehow, magically, our wrestlers from way back then have returned to this scene as what might be called wrestling facilitators. One of them is now a referee with striped shirt and whistle, and another is an assistant assistant coach, a guy who sits in the corner of the mat during each bout and yells, "Circle! Circle! Good–keep that elbow. That's all right, don't worry, now up and out!"
High school wrestling matches last six minutes, except when they're over in a few seconds. That can happen when a newbie, with panic in his eyes, is up against an experienced wrestler who knows a few moves. Of course it can also happen when an experienced wrestler underestimates an opponent, or when he forgets for an instant to do or not do something critical that he knew perfectly well he was supposed to do or not do.
Nowadays, the EPA doesn't like for states or municipalities to dump dirty snow from city streets into rivers or, as in the case of Portland, Maine, into the ocean. Portland used to throw its snow from downtown into the harbor, but it now builds mountains of snow, dump-truckload after dump-truckload, in an empty field near the airport.
New York City trucks its snow to melting machines, known as snow dragons, which can melt thirty tons of snow an hour and discharge the meltwater into the city sewer sytem. In an emergency, however, such as a ridiculously huge blizzard, we are told that the EPA will look the other way while the city rids its streets of snow the old-timey way.
From the Lockridge community near Durham, North Carolina, comes this photo and note from Carol Stack: "My first selfie, with birthday flowers."
This time of year also marks the birthday of our boy John, a.k.a. J.J. Good cheer to both, many happy returns, and let's hear it for one-eyed floral birthday selfies!
This is the front panel of a Nechada barrel organ, made in Odessa, Ukraine, in the early years of the twentieth century. It was often set up in the street outside a bar or brothel, in hopes that the popular tunes it blasted out would draw a crowd of potential customers. Sometimes, of course, the organ grinder had a monkey as an added attraction, or a troupe of very young girls, perhaps eight or ten years old, who danced and sang and turned cartwheels to entertain the drunks.
Odessa was home to a number of piano manufacturers, who made these organs as a sideline. No musical skill was required to operate them; the organ grinder just turned the crank on one side of the box, which pumped air through the organ pipes and also spun rolls of paper that had been pre-programmed with the desired musical compositions. The paper blocked air from entering the pipes except where holes had been punched; when a hole in the paper came in line with the opening to a pipe of the desired pitch, air was forced through the pipe, generating each note of a song.
Odessa street organs, called sharmankas, were sold throughout the Russian empire from about 1860 until they began to be replaced by more modern music machines, notably record players, in the 1920s. Even then, they remained in use by street buskers, particularly in Tbilisi and other Georgian cities, where street organs were popular well into the 1960s.
The inscription across the bottom of this organ gives the name and address of its maker. Ivan Viktorovich Nechada worked out of a piano factory on Balskovskaya Street, now Isaac Babel Street, in Odessa. This organ is in the collection of the new Musical Instrument Museum in Phoenix, Arizona, but recently a very similar Nechada organ, said to be in perfect working order, was advertised in Moscow; "May be sold or exchanged for a car," wrote the seller, in an ad in Mechanical Music Digest.
Lap cat shows plenty of lap. Philly Photo Day 2014.
A young man with flair poses for the camera on Philly Photo Day 2014, back in mid-October.